roseembolism (
roseembolism) wrote2008-07-29 04:10 pm
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A fun test of female portrayal in movies
Courtesy of Alison Bechdel and Charlie Stross' blog, here's a little test of how women are portrayed in a film.
1. Does it have at least two women in it,
2. Who [at some point] talk to each other,
3. About something besides a man (or marriage or babies).
It's actually an interesting test of the objectification and role of women in films- do they have a role or purpose in the film outside of being an adjunct to the men? Charlie of course goes on to make some good points about how it relates to cultural anxieties, anti-feminist backlash, etc..
To me though, the interesting thing is that of this year's crop of summer blockbusters, NONE of them seemed like they would pass this test. Iron Man, for all I like Pepper's character, fails this test (Hell, she's a cross between a mother and a love interest for Tony, and that's it). The female characters in Hellboy are almost completely dictated by their relationship with the male characters (At least I don't recall the two female characters talking to each other at all). The Dark Knight of course was pretty much an "all-boys plus one sex object/victim" film.
In fact, the only film I saw recently that passes this test was PItch Black, which we watched last night. And well, the female characters in that film had a lot more important things to talk about than men and marriage. But then, shouldn't most of them?
1. Does it have at least two women in it,
2. Who [at some point] talk to each other,
3. About something besides a man (or marriage or babies).
It's actually an interesting test of the objectification and role of women in films- do they have a role or purpose in the film outside of being an adjunct to the men? Charlie of course goes on to make some good points about how it relates to cultural anxieties, anti-feminist backlash, etc..
To me though, the interesting thing is that of this year's crop of summer blockbusters, NONE of them seemed like they would pass this test. Iron Man, for all I like Pepper's character, fails this test (Hell, she's a cross between a mother and a love interest for Tony, and that's it). The female characters in Hellboy are almost completely dictated by their relationship with the male characters (At least I don't recall the two female characters talking to each other at all). The Dark Knight of course was pretty much an "all-boys plus one sex object/victim" film.
In fact, the only film I saw recently that passes this test was PItch Black, which we watched last night. And well, the female characters in that film had a lot more important things to talk about than men and marriage. But then, shouldn't most of them?
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Which is another reason that Pitch Black is interesting; there's definitely a sexual subtext between the male and female leaves, but it's incidental to the actual horror, and it's ultimately subverted at the end. Subverted twice, actually.
I could do a paper on the ways that Pitch Black screws with the horror genre, I really could.
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4 Stars: Greatest Hits
* Alien (Director's Cut)
* The Long Kiss Goodnight
* Buffy the Vampire Slayer
* Terminator 2: Judgment Day
* Mr. and Mrs. Smith
* Tank Girl
* Underworld
3 Stars: Strong Contenders
* Set It Off
* Paycheck
* Grindhouse
* Resident Evil
* D.E.B.S.
* Bandidas
* So Close
* King Arthur
* The Island
* Aeon Flux
* Underworld: Evolution
* V for Vendetta
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Of course it's also interesting in that they have really poor taste in movies too. I mean, Resident Evil? Good? Geeze.
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Admittedly, I think RE might be fun for an MST3K style night; I could have a lot of fun making fun of it.
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Next time I rented it with a friend, but we watched the other film we rented first and it ended up being too late by the time we would have finished watching it.
It wasn't until try number three that I actually got to see it.
Yeah, the gals in that film really needed to be more concerned with staying away from the creepy things then in which guy has the dreamiest eyes and was the most kissable. ;) No thinking about sex! Something will jump up and eat your head!
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Of course the "captain" had one of the better character arcs for a character I've seen in a movie. You aren't supposed to see that sort of positive character development in a horror movie.
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Here's the link.
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Fruits Basket: for all that the heroine is a traditional nurturing type, she passes the test with flying colors, because her conversations with her friends are about each other, not men.
Last Exile: multiple female to female conversations that are not about Boys babies or marriage
Lodoss Wars: BIG FAIL! Even leaving aside that Deedlit is a Fauxaction girl existing to be rescued at the end, I don't recall any girl-girl conversation.
Dirty Pair: passes: even thought they do talk about boys a lot, there's also a lot of "professional" talk as they get down to the nitty-gritty of causing chaos across the galaxy