roseembolism (
roseembolism) wrote2009-05-14 10:31 am
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*sigh* When authors should know better.
I won't really go into the latest racefail controversy, AKA "Mammothfail". I just want to point out that it's really a distressing feeling to read the comments of an author you respect, and find yourself muttering "No, No, no! Just, stop. You're NOT helping. I know you're trying to support your friend, but you're making things worse. No see, you're still typing. That's bad. Aw, no, not with the metaphors, just back. Away. Slowly."
A part of my mind is trying to adapt the Tom Leher song "Who's Next" to Racefail, as I wonder who the next author I respect is going to make the mistake of explaining their way deeper into a mess.
A part of my mind is trying to adapt the Tom Leher song "Who's Next" to Racefail, as I wonder who the next author I respect is going to make the mistake of explaining their way deeper into a mess.
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And, you see, this is why I stay well away from the whole RaceFail thing. Because I'm Caucasian and that's something I can't change and if I let myself get involved, I would never write another goddamn word of fiction ever again.
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you can't eat just ONE bison...
And that's just the plains mammoths. The Californian mammoths could get to 16 feet at the shoulder. Ol' Pa Ingalls would need a grenade launcher just to singe the hair off its butt.
(I love mammoths. I especially love our Channel Islands mammoths, which were only 3-4 feet at the shoulder. Mimmoths!)
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never mind, nothing to see here.
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But I'm not going to erase a race in order to have them. That would be all kinds of idiotic.
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Also, if you have hyperintelligent psychic mammoths and ninja sabretoothed tigers, you have just erased the race in question anyway, unless they're a chattel species to the HPMs or NSTs.
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As for me, I think it's been a valuable experience for me, since the basic lesson is "It's OK to write about people from other cultures, but do your research so as to not perpetuate a stereotype or otherwise enact one of the race tropes from TV tropes."
In my case, it's helping my fantasy WiP, because I definitely don't want to fall into the trap of "here's the Native American analog race/culture, here's the 'Oriental' race/culture, etc.."
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"Oriental"Asianno subject
Work in Korean deli, but I am Japanese!
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Playing devil's advocate (or perhaps not?), I say: Why bother? If it's a good story and people enjoy it what does it matter if it's even remotely accurate to some real-world analog? I thought part of the point of creating a fantasy world was to not be constrained by the restrictions of the real world? You'll lose some audience since they don't want to deal with the stereotypes. But most people won't have a problem.
For example, I don't have to take off my other mitten to count the number of books set in Japan-analog worlds that I've read and enjoyed, and I will generally de-select based on "world thinks it's in Japan Y/N?" But I'm just one reader, and there are many others out there who have no problem with it, and even enjoy the setting. (I would wager some even read this LJ, so they are by no means an unrefined audience.)
And just because I hear that Racefail had some very valuable posts, I ask: linkie?
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Me, if I let myself WORRY about that aspect of my writing, I'd stop writing. Fortunately, I don't write for anyone but me.
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"We don't want writers (of any race) to say 'if everyone's going to be mean to me if I write about race, I'm taking my keyboard and going home.' We DO want writers to stop, look, listen, and ask questions, and, if unavoidable, learn from mistakes they might make in writing about a culture or color different from their own." You have to expect to make mistakes in a craft, and it's a learning experience.
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Oh, dear. That would be terribly, terribly appropriate.
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